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slightly opaque
The representation of the rhythms of collective labor indeed finds significant precedents in other works of his
color lithography became the language in which his vision found its most complete form
Ninomiya Beach (春ノ月二宮海岸) along with the month and year of the first edition: made in March of the seventh year of the Showa era (1932) (昭和七年三月作)
On the back
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 27, 1834 vasi slightly opaqueBeautiful proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New
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